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Martin Esslin

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Martin Esslin


Born
in Hungary
June 06, 1918

Died
February 24, 2002

Genre


Martin Julius Esslin OBE (6 June 1918 – 24 February 2002) was a Hungarian-born English producer and playwright dramatist, journalist, adaptor and translator, critic, academic scholar and professor of drama best known for coining the term "Theatre of the Absurd" in his work of that name (1961).

Born Julius Pereszlényi (Hungarian: Pereszlényi Gyula Márton) in Budapest, Esslin moved to Vienna with his family at a young age. He studied Philosophy and English at the University of Vienna and also graduated from the Reinhardt Seminar as a producer. Of Jewish descent, he fled Austria in the wake of the Anschluss of 1938.

Esslin defined the 'Theatre of the Absurd' as that which

"The Theatre of the Absurd strives to express its sense of the senselessn
...more

Average rating: 4.06 · 1,381 ratings · 85 reviews · 73 distinct worksSimilar authors
The Theatre of the Absurd

4.17 avg rating — 991 ratings — published 1961 — 62 editions
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An Anatomy of Drama

3.70 avg rating — 94 ratings — published 1976 — 11 editions
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Antonin Artaud: The Man and...

4.09 avg rating — 65 ratings — published 1976 — 7 editions
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The Field of Drama

3.49 avg rating — 53 ratings — published 1987 — 10 editions
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BRECHT:A CHOICE OF EVILS

4.38 avg rating — 21 ratings — published 1959 — 12 editions
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Twentieth Century Interpret...

3.52 avg rating — 21 ratings — published 1965 — 3 editions
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Brecht; the man and his wor...

3.87 avg rating — 15 ratings — published 1959 — 14 editions
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Pinter the Playwright

3.79 avg rating — 14 ratings — published 1973 — 7 editions
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برتولت برشت (نسل قلم 51)

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2.92 avg rating — 13 ratings — published 1995
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The Peopled Wound

4.17 avg rating — 6 ratings — published 1970 — 2 editions
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More books by Martin Esslin…
Quotes by Martin Esslin  (?)
Quotes are added by the ϻӮ community and are not verified by ϻӮ.

“The dignity of man lies in his ability to face reality in all its meaninglessness.” .”
Martin Esslin

“The Theatre of the Absurd is a theatrical embodiment and manifestation of existentialism”
Martin Esslin

“...if love...is a function of man's sadness, friendship is a function of his cowardice; and if neither can be realised because of the impenetrability (isolation) of all that is not 'cosa mentale,' at least the failure to possess may have the nobility of that which is tragic, whereas the attempt to communicate where no communication is possible is merely a simian vulgarity, or horribly comic, like the madness that holds a conversation with the furniture. - For an artist therefore, the only possible spiritual development is in the sense of depth. The artistic tendency is not expansive, but a contraction. And art is the apotheosis of solitude. There is no communication because there are no vehicles of communication.”
Martin Esslin, The Theater of the Absurd

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