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“Favoring 'resolution' the way we do, it is hard for us men to write great love stories. Why?, because we want to tell too much. We aren’t satisfied unless at the end of the story the characters are lying there, panting.”
― Roman Payne

“(In reply to the question, 'Would you like some suggestions for a plot for your next book?')

There are three problems with getting plot suggestions from other people. The first is that ideas are the easy part of writing; finding the time and energy to get them down on paper is the hard part. I have plenty of ideas already. Which brings me to the second problem: the ideas that excite you, the ones you think would make a terrific book, are not necessarily the same ideas that excite me. And if a writer isn't excited about an idea, she generally doesn't turn out a terrific book, even if the idea is terrific. And the third problem with my using your suggestions is that, theoretically, you could sue me if I did, and that tends to make publishers nervous, which makes it hard to sell a book. So thank you, but no.”
― Patricia C. Wrede

“Find the problem, find the story.”
― John Brown

“Somebody once said that there are only two plots in fiction. The first is, somebody takes a trip (The Iliad, The Odyssey, Don Quixote, Huckleberry Finn, Heart of Darkness). The second one is, a stranger comes to town (Absalom Absalom; The Great Gatsby; The Glass Menagerie). If you think about it, this is absolutely true.”
― Lee Smith

“To create an immersive experience, trigger curiosity by introducing a mystery, evoke empathy by drawing readers into the inner world of a protagonist facing a challenge, and ignite imagination by painting a vivid scenario that hints at a broader conflict.”
― Will Raywood, Trust Your Story: Master Storytelling and Build a Successful Creative Writing Career