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“heir eyes met. They both smiled, aware that they were in public, where anyone could see them on the street and in the window. But the rest of the world did not matter. For that moment, everything else vanished. He was there, she was there, no trouble could touch them.”
― Jeanette Watts, My Dearest Miss Fairfax

“The voids in her soul turned every touch of someone else into the reminiscent of his love inside her.”
― Akshay Vasu

“She wore a summer dress and it smelled of Hawaii- of the ocean, sun, teriburgers and plumeria. I squeezed her dress in my hand, wanting to be back there.”
― Alex Brunkhorst, The Gilded Life of Matilda Duplaine

“Roux flung a handful of dried shavings on to the embers of his fire; the scent was sharp and immediate, lemon grass and lavender, sage and applewood and pine, like the campfires of my childhood.”
― Joanne Harris, Peaches for Father Francis

“It’s amusing how we can sometimes hardly remember our first meetings with the most important people in our lives. Where, how, when we first met becomes all a blur. Somewhere along the way, we realize we have become so emotionally tethered to one another that the moment we first met does not matter. Life before meeting them ceases to exist.”
― Priyanka Naik, Twists Of Fate

“My hand lingers in spite of itself; a hovering dragonfly above a cluster of dainties. A Plexiglas tray with a lid protects them; the name of each piece is lettered on the lid in fine, cursive script. The names are entrancing: Bitter orange cracknell. Apricot marzipan roll. Cerisette russe. White rum truffle. Manon blanc. Nipples of Venus. I feel myself flushing beneath the mask. How could anyone order something with a name like that? And yet they look wonderful, plumply white in the light of my torch, tipped with darker chocolate. I take one from the top of the tray. I hold it beneath my nose; it smells of cream and vanilla. No one will know. I realize that I have not eaten chocolate since I was a boy, more years ago than I can remember, and even then it was a cheap grade of chocolat à croquer, fifteen percent cocoa solids- twenty for the dark- with a sticky aftertaste of fat and sugar. Once or twice I bought Süchard from the supermarket, but at five times the price of the other, it was a luxury I could seldom afford. This is different altogether; the brief resistance of the chocolate shell as it meets the lips, the soft truffle inside.... There are layers of flavor like the bouquet of a fine wine, a slight bitterness, a richness like ground coffee; warmth brings the flavor to life, and it fills my nostrils, a taste succubus that has me moaning.”
― Joanne Harris, Chocolat

“Home. She closes her eyes and thinks of a swaying meadow, dappled sunlight falling through green branches, walking among tall, leafy trees. She thinks of long, tapered feathers with eyes the color of emeralds and sapphires.”
― Hannah Richell, The Peacock Summer

“Nothing speaks more accurately to the complexity of life than food. Who has not had, let us say, a ²úé²¹°ù²Ô²¹¾±²õ±ð, the child of hollandaise, and has not come away from the taste of it feeling overwhelmed?
At first, it fills the mouth with the softness of butter and then the richness of egg, and before it becomes too rich or too comfortable, the moment shifts and begins to ground itself in darkness with the root of a shallot and the hint of crushed peppercorn. But then, the taste deepens. The memory of rebirth is made manifest with the sacred chervil, sweet and grassy with a note of licorice, whose spring scent is so like myrrh that it recalls the gift of the Wise Men and the holy birth whenever it is tasted. And then, of course, the "King of Herbs," tarragon with its gentle licorice, reminds us not to forget that miracles are possible. And just when we think we understand what we are experiencing, the taste turns again on the tongue, and finishes with shrill vinegar followed by a reduction of wine so that the acid tempers the sauce but never dominates.”
― N.M. Kelby, White Truffles in Winter

“The only point that everyone I spoke with in Rome agrees upon is that Armando al Pantheon is one of the city's last true trattorie.
Given the location, Claudio and his family could have gone the way of the rest of the neighborhood a long time ago and mailed it in with a handful of fresh mozzarella and prosciutto. But he's chosen the opposite path, an unwavering dedication to the details- the extra steps that make the oxtail more succulent, the pasta more perfectly toothsome, the artichokes and favas and squash blossoms more poetic in their expression of the Roman seasons.
"I experiment in my own small ways. I want to make something new, but I also want my guests to think of their mothers and grandmothers. I want them to taste their infancy, to taste their memories. Like that great scene in Ratatouille."
I didn't grow up on amatriciana and offal, but when I eat them here, they taste like a memory I never knew I had. I keep coming back. For the cacio e pepe, which sings that salty-spicy duet with unrivaled clarity, thanks to the depth charge of toasted Malaysian peppercorns Claudio employs. For his coda alla vaccinara, as Roman as the Colosseum, a masterpiece of quinto quarto cookery: the oxtail cooked to the point of collapse, bathed in a tomato sauce with a gentle green undertow of celery, one of Rome's unsung heroes. For the vegetables: one day a crostini of stewed favas and pork cheek, the next a tumble of bitter puntarelle greens bound in a bracing anchovy vinaigrette. And always the artichokes. If Roman artichokes are drugs, Claudio's are pure poppy, a vegetable so deeply addictive that I find myself thinking about it at the most inappropriate times. Whether fried into a crisp, juicy flower or braised into tender, melting submission, it makes you wonder what the rest of the world is doing with their thistles.”
― Matt Goulding, Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture

“But there's always time for hot chocolate, made with milk and grated nutmeg, vanilla, chili, brown sugar, cardamom, and 70 percent couverture chocolate- the only chocolate worth buying, she says- and it tastes rich and just slightly bitter on the back of the tongue, like caramel as it begins to turn. The chili gives it a touch of heat- never too much, just a taste- and the spices give it that churchy smell that reminds me of Lansquenet somehow, and of nights above the chocolate shop, just Maman and me, with Pantoufle sitting to one side and candles burning on the orange-box table.”
― Joanne Harris, The Girl with No Shadow

“Zozie was still watching me with that patient half-smile, as if she expected me to say something more. When I didn't, she simply shrugged and held out a dish of mendiants. She makes them as I do myself: the chocolate thin enough to snap but thick enough to satisfy; a generous sprinkle of fat raisins; a walnut, an almond; a violet; a crystallized rose.
"Try one," she said. "What do you think?"
The gunpowder scent of chocolate arose from the little dish of mendiants, smelling of summer and lost time. He had tasted of chocolate when I first kissed him; and the scent of damp grass had come from the ground where we had lain side by side; and his touch had been unexpectedly soft, and his hair like summer marigolds in the dying light-
Zozie was still holding out the dish of mendiants. It's made of blue Murano glass, with a little gold flower on the side. It's only a bauble, and yet I'm fond of it. Roux gave it to me in Lansquenet, and I have carried it with me ever since, in my luggage, in my pockets, like a touchstone.
I looked up and saw Zozie looking at me. Her eyes were a distant, fairytale blue, like something you might see in dreams.
"You won't tell anyone?" I said.
"Of course not." She picked up a chocolate between delicate fingers and held it out for me to take. Rich, dark chocolate, rum-soaked raisins, vanilla, rose, and cinnamon...
"Try one, Vianne," she said with a smile. "I happen to know they're your favorites.”
― Joanne Harris, The Girl with No Shadow

“They all hushed as Brinny, the one murderess of their crew, told them of the making of her bride cake, with primrose yellow butter and raisins of the sun, fattened on smuggled brandy. The further they sailed from England, the fonder they grew of the pleasures of home: plum trees with bowed branches, brambles in the hedge, cream from a beloved cow.”
― Martine Bailey, A Taste for Nightshade

“The sketchbook was still open on the table and I rushed to it.
It was the one that Edward used over the summer of 1862. I had sat beside him while he made those very lines on that piece of cotton paper: studies for the painting he had planned, something he had been thinking about for years. On the following pages, I knew, were his sketches of the clearing in the woods and the fairy mound and a stone croft by the river, and at the bottom corner of one, in loose scratched lines, the heart he had penned, and the ship on the wide sea, as we spoke excitedly of our plans.”
― Kate Morton, The Clockmaker's Daughter

“And when Achilles went inside the Vampire said to me, "You all right?"
I nodded. "I'm okay."
"Okay is good enough for now," she said.”
― Gary D. Schmidt, The Labors of Hercules Beal

“It had withstood the years. His knife sliced it open and the cork was still intact beneath. For a moment the scent was so immediately pungent that all he could do was endure it, teeth clenched, as it worked its will on him. It smelled earthy and a little sour, like the canal in midsummer, with a sharpness which reminded him of the vegetable cutter and the gleeful tang of freshly dug potatoes. For a second the illusion was so strong that he was actually there in that vanished place with Joe leaning on his spade and the radio wedged in a fork in a tree.
A sudden overwhelming excitement took hold of him and he poured a small quantity of the wine into a glass, trying not to spill the liquid in his eagerness. It was dusky pink, like papaya juice, and it seemed to climb the sides of the glass in a frenzy of anticipation, as if something inside it were alive and anxious to work its magic on his flesh.”
― Joanne Harris, Blackberry Wine

“The overblown woman swept out in a waft of attar of roses and Della stood relishing the patch of frail sunlight, imagining herself down by the creek feeding Tidda a handful of sweetgrass while she listened to the Darkinjung women tell their stories.”
― Tea Cooper, The Woman in the Green Dress

“This tastes so familiar!" Sana said. "That sourness... is it from tamarind?" When I nodded, she grinned, the dazzling smile lighting up her whole face. "I knew it. My family's originally from Trinidad, and we use it in a bunch of dishes. This soup is new to me, but somehow it tastes like home, you know?"
She attacked the soup and rice with new vigor, and so did I, both of us patting sweat away with the paper napkins on the table.
Rob noticed this and frowned. "I don't understand how you two can eat soup on such a hot day."
I snorted. "What, do you think people in hot climates never eat soup?"
Sana added, "Why do you think so many tropical countries eat spicy food? Sweating is healthy and helps us cool off. Removes toxins from the body, too.”
― Mia P. Manansala, Homicide and Halo-Halo

“Rosemary cornmeal doughnuts with a lemon glaze, and cornbread tartlets with ricotta and heirloom tomatoes."
He set the platter on the table, and Charlotte and Zoey leaned forward to stare. The tartlets were small and perfectly round, with scalloped edges like the hems of Sunday dresses. Purple-tinged tomatoes were fanned on top, obviously cut by someone with seriously good knife skills. The doughnuts appeared to still be warm from the oven, the glaze dripping off them onto the platter. The green scent of rosemary and the sharp scent of lemon made Charlotte picture a long, sandy road. There was an old woman cooking in a summer kitchen somewhere down that road. Home.”
― Sarah Addison Allen, Other Birds: A Novel

“We decorate the heart-shaped snickerdoodles in pink and lilac frosting, topping each one with a tiny rosebud. Roisin brews a pot of passion fruit tea, sweetening it with honey before pouring it over a glass of ice and coconut milk. It turns a cloudy purple color.
"This is a specialty at Petals Tea Shop," Roisin says. "Your auntie Laina named it the Midnight Rose Garden. It's one of my favorites."
"It's wonderful," I say, taking a sip.
It reminds me of family trips I used to take to Hawaii. My parents always said I was such a happy kid and didn't know what went wrong as I grew up. The passion fruit spilling over my tongue transports me back to placid waters--- ones that never whispered. The kind of waves that turtles call home and coral reefs burn bright. The same waves that culled my sunburnt shoulders, kissing my welted flesh and telling me I was okay. I was safe here. The water was safe.
With Roisin, I am safe.”
― Kiana Krystle, Dance of the Starlit Sea

“I was there for a moment, and then I was gone.”
― Alice Sebold, The Lovely Bones