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“This man constructed along the most convincing, believable emotional lines, this force with a history as a force, this benignly wily, smoothly charming, seeming totality of a manly man nonetheless has a gigantic secret. How do I reach this conclusion? Why a secret? Because it is there when he’s with her. And when he’s not with her it’s there too—it’s the secret that’s his magnetism. It’s something not there that beguiles, and it’s what’s been drawing me all along, the enigmatic it that he holds apart as his and no one else’s. He’s set himself up like the moon to be only half visible. And I cannot make him fully visible. There is a blank. That’s all I can say. They are, together, a pair of blanks. There’s a blank in her and, despite his air of being someone firmly established, if need be an obstinate and purposeful opponent—the angry faculty giant who quit rather than take their humiliating crap—somewhere there’s a blank in him too, a blotting out, an excision, though of what I can’t begin to guess… can’t even know, really, if I am making sense with this hunch or fancifully registering my ignorance of another human being.”
― Philip Roth, The Human Stain